"Forget now thy days of tyranny/ Look up, my fairest treasure, The effect is that of a slow dance a playfulness in the vocal line which matches the sentiment of the libretto:
The melodic line here is a particularly lovely one, moving from the Dominant, to the Mediant, to the Leading Note, and finally onto the Tonic. The B section modulates into Db maj, and is marked Andante.
Remember, this is a Tenor aria, the last one of the opera, and this is only the A section! Yet Mihai is completely unphased by this rather evil piece of Rossini writing, and drives onwards towards the next section. One particularly horrible bar of coloratura is placed squarely around the G4 mark with a throw-away Bb4 chucked in just for fun.
Mihai deals with this easily, resorting neither to heavy aspiration nor to slurring. The A section has the tenor leaping or running mostly between F3 and A4, with some quick-running key modulations during the semi-quaver and demi-semi-quaver coloratura. That we can listen to their stuffs, not partially but entirely, wholesomely.The Bb maj aria starts abruptly at 0:54 with a demi-semi-quaver run from the unison strings, launching the Tenor into a perfect cadence through the major triad stepping down from the dominant to the tonic via the mediant. Soundspace with various, percussive (influenced by Steve?) instruments. No rather, regardless of her activity, an avantgardicĮxperimental collective by the other musicians can be beyond expression - very refined and strict Notable vocalist, please let me say you can take notice of her "background" by the other players.ĭEMI SEMI QUAVER is not only her property. For example, the second track "Love Maniac" with her aįlood of her voice like a aggressive launcher is an interesting hanky-panky. Immersed into her self-intoxication world. From the beginning she always opens her throttle valve full-widely and is Very striking and (mysteriously)Īttractive her rampant and meaningless lyrics are, and also her violent performance dressed in Upon the frontline in DEMI SEMI QUAVER - we cannot deny the fact. We may assume that Emi ELEONOLA, an eerie & self-assertive vocal oddity, should be forcing herself They often appears on stage despite of getting less active than before, since each member can get more renowned currently as a session musician or a member of another progressive rock project (Emi has got a versatile artist e.g. Through many active gigs, DEMI SEMI QUAVER made their major debut with the third album '3' in 1996. A magnificent lineup - Yuji KATSUI (violin), Steve ETOH (percussion), TELLASIT (guitar), Hidenori YOKOYAMA (bass), and Koichiro NAKA (drums) - supports her, and they leaped into Japanese Underground Stardom.
Semi demi hemi quaver full#
In 1995, they appeared on Japanese underground rock scene with their eponymous debut album full of experimentalism, aestheticism, avantgardism, and individualism. Dressed in a bondage suit, Emi utters a weird and mysterious lyrics called 'Eleonola Language' upon their songs, that can charm the audience into Demi Semi world. DEMI SEMI QUAVER got started as an experimental-avantgarde rock outfit featuring Emi ELEONOLA, a female vocalist of marked personality.
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