For $150 more the X8 adds 2 more XLR inputs, onboard microphones, and a decidedly more attractive form factor. We had a first look at Tascam’s 32-bit X8 Portacapture ( $499.00). Sound Devices’s MixPre-3 II (3 channels, $825) and MixPre-6 II (6 channels, $1060) are similarly 32-bit powered with higher prices commanded by superior build and feature sets. The F6 fills this space for $400 more (albeit with 4 more channels as well). What about 32-bit recording? Not worrying about setting levels is an immeasurable aid to beginning recordists and allows more established pros to focus on other things. In terms of portability for dedicated recorders, Zoom’s F6 (6 inputs, $749.99) appears to be the next largest. There isn’t much room to support it, but the F3 does allow for record, hold, play, stop, and 4 soft buttons. The F3 supports line out to cameras, as well as a 1/8” headphone input port.
#Zoom recordee software#
Typical software features such as a high-pass filter, phase inversion, delay, markers, pre-record and others are also available through the software menus.
#Zoom recordee android#
An optional BTA-1 wireless adapter allows the unit to be controlled by the F3 Control iOS/ Android app. The USB type-C port allows file transfer and the aforementioned audio interface capabilities. The F3 can function as an audio interface with 2 inputs and 2 outputs up to 96 kHz/32-bit. The F3 supports micro SDHC and microSDXC cards up to 1TB. Here are some less-vital perks of the F3: Those are features that most concern field recordists. At $349.99, the Zoom F3 is the cheapest 32-bit recorder on the market. Mic, mic 48V phantom power, line, and line 48V phantom power are all supported by the F3. The F3 has a metal casing and slip-free rubber feet. Along with a typical tripod mount, the F3 has “durable” side bars idea for strapping to boom poles, car engines, motorcycle frames, and so on. The F3 is powered by 2 AA batteries and reportedly lasts for 8 hours. Note that these are not dual TRS/XLR combo jacks seen on many other recorders. Twin locking XLRs allow professional inputs. The recorder is rated for an EIN of -127 dBU, which is just one dB short of a a Sound Devices MixPre-6 II professional recorder. In fact, there’s no need to set levels at all since 32-bit captures a vast span of sound. The means the sounds you record will never be damaged from overly loud sources. In addition, it can capture audio in 32-bit float. The F3 captures high resolution sound from CD-quality (44.1 kHz) to sound design friendly 192 kHz.
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